Bjørnstjerne Bjørnson: Paggiddiatan a nagbaetan dagiti rebision

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{{Infobox Biografiamannurat
| image = Bjornson.jpg
| subject_name = Bjørnstjerne Bjørnson
| imagesize = 215px
| image_name = Bjørnstjernebjørnson.jpg
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| date_of_birth = [[Deciembre 8]], [[1832]]
| pseudonym =
| place_of_birth = [[Kvikne]], [[Norway]]
| birth_name =
| date_of_death= [[Abril 26]], [[1910]]
| birth_date = {{birth date|1832|12|8|fd=y}}
| place_of_death = [[Paris]], [[Francia]]
| birth_place = [[Kvikne]], [[Kappon a nagbaetan ti Suésia ken Norwéga|Norwéga]]
| death_date = {{death date and age|1910|4|26|1832|12|8|fd=y}}
| death_place = [[Paris]], [[Maikatlo a Republika ti Pransia|Pransia]]
| resting_place =
| occupation = [[Mannaniw]], [[novelista|nobelista]], [[drmaturgo]], [[letrista]]
| language =
| nationality = Norwego
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| influences =
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| awards = {{awd|[[Premio Nobel iti Literatura]]|1903}}
| subject_namesignature = Bjørnstjerne Bjørnson signature.png
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Ni '''Bjørnstjerne Martinus Bjørnson''' (Bearstar Martinus Bearson) ([[DeciembreDisiembre 8]], [[1832]]–[[Abril 26]], [[1910]]) ket maysa a mannurat a Norwego. Idi 1903 naawatna iti [[Premio Nobel iti Literatura]].
 
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Amongst Norwegians, Bjørnson is celebrated for his lyrics to the [[National Anthem]]: ''Ja, vi elsker dette landet.''
 
== Kasilpo iti ruar==
Bjørnson was born on [[December 8]], [[1832]] at the farmstead of Bjørgen in [[Kvikne]], a secluded village in the Østerdalen district, some sixty miles south of [[Trondheim]]. In [[1837]] Bjørnson's father, who was the pastor of Kvikne, was transferred to the parish of [[Nesset]], outside [[Molde]] in [[Romsdal]]. It was in this scenic district that Bjørnson spent his childhood. After a few years studying in the neighbouring city [[Molde]], Bjørnson was sent to Heltbergs Studentfabrikk in [[Oslo|Christiania]] to prepare for University, at the age of 17. He had realised that he wanted to pursue his talent for poetry (he had written verses since age eleven). Bjørnson matriculated at the University of Oslo in [[1852]], soon embarking upon a career as a journalist, focusing on criticism of drama.
 
In [[1857]] he published ''Synnøve Solbakken'', the first of Bjørnson's peasant novels; in [[1858]] this was followed by ''Arne'', in 1860 by ''En glad Gut'' (A Happy Boy), and in [[1868]] by ''Fiskerjenten'' (The Fisher Maiden). These are the most important specimens of his ''bonde-fortellinger'' or peasant tales — a section of his literary work which has made a profound impression in his own country, and has made him popular throughout the world. Two of the tales, ''Arne'' and ''Synnøve Solbakken'', offer perhaps finer examples of the pure peasant-story than are to be found elsewhere in literature.
 
Bjørnson was anxious "to create a new saga in the light of the peasant," as he put it, and he thought this should be done, not merely in prose fiction, but in national dramas or ''folke-stykker''. The earliest of these was a one-act piece the scene of which is laid in the 12th century, ''Mellem Slagene'' (Between the Battles), written in [[1855]], but not produced until [[1857]]. He was especially influenced at this time by the study of [[Jens Immanuel Baggesen|Baggesen]] and [[Adam Gottlob Oehlenschläger|Oehlenschläger]], during a visit to [[Copenhagen]] [[1856]]—[[1857]]. ''Mellem Slagene'' was followed by ''Halte-Hulda'' (Lame Hulda) in [[1858]], and ''Kong Sverre'' (King Sverre) in [[1861]]. All these efforts, however, were far excelled by the splendid trilogy of ''Sigurd Slembe'' (Sigurd the Bad), which Bjørnson published in [[1862]]. This raised him to the front rank among the younger poets of Europe.
 
At the close of [[1857]] Bjørnson had been appointed director of the theatre at [[Bergen, Norway|Bergen]], a post which he held, with much journalistic work, for two years, when he returned to the capital. From [[1860]] to [[1863]] he travelled widely throughout Europe. Early in [[1865]] he undertook the management of the Christiania theatre, and brought out his popular comedy of ''De Nygifte'' (The Newly Married) and his romantic tragedy of Mary Stuart in Scotland. Although Bjørnson has introduced into his novels and plays songs of extraordinary beauty, he was never a very copious writer of verse; in [[1870]] he published his Poems and Songs and the epic cycle called Arnljot Gelline; the latter volume contains the magnificent ode called ''Bergliot'', Bjørnson's finest contribution to lyrical poetry.
 
Between [[1864]] and [[1874]], in the very prime of life, Bjørnson displayed a slackening of the intellectual forces very remarkable in a man of his energy; he was indeed during these years mainly occupied with politics, and with his business as a theatrical manager. This was the period of Bjørnson's most fiery propaganda as a radical agitator. In [[1871]] he began to supplement his journalistic work in this direction by delivering lectures over the length and breadth of the northern countries. He possessed to a surprising degree the arts of the orator, combined "with a magnificent physical prestige".
 
From 1874 to [[1876]] Bjørnson was absent from Norway, and in the peace of voluntary exile he recovered his imaginative powers. His new departure as a dramatic author began with ''En fallit'' (A Bankruptcy) and ''Redaktøren'' (The Editor) in [[1874]], social dramas of an extremely modern and realistic cast.
 
The poet now settled on his estate of [[Aulestad]] in [[Gausdal]]. In [[1877]] he published another novel, ''Magnhild'', an imperfect production, in which his ideas on social questions were seen to be in a state of fermentation, and gave expression to his [[republicanism|republican]] sentiments in the polemical play called ''Kongen'' (The King), to a later edition of which he prefixed an essay on "Intellectual Freedom", in further explanation of his position. ''Kaptejn Mansana'' (Captain Mansana), an episode of the war of Italian independence, belongs to [[1878]].
 
Extremely anxious to obtain a full success on the stage, Bjørnson concentrated his powers on a drama of social life, ''Leonarda'' ([[1879]]), which raised a violent controversy. A satirical play, ''Det nye System'' (The New System), was produced a few weeks later. Although these plays of Bjørnson's second period were greatly discussed, none of them (except A Bankruptcy) pleased on the boards.
 
When once more he produced a social drama, ''En Handske'' (A Gauntlet), in [[1883]], he was unable to persuade any manager to stage it, except in a modified form, though this play gives the full measure of his power as a dramatist. In the autumn of the same year, Bjørnson published a mystical or symbolic drama ''Over Ævne'' (Beyond Powers), dealing with the abnormal features of religious excitement with extraordinary force; this was not acted until [[1899]], when it achieved a great success.
 
Meanwhile, Bjørnson's political opinions had brought upon him a charge of high treason, and he took refuge for a time in [[Germany]], returning to Norway in [[1882]]. Convinced that the theatre was practically closed to him, he turned back to the novel, and published in [[1884]], ''Det flager i Byen og paa Havnen'' (Flags are Flying in Town and Port), embodying his theories on heredity and education. In [[1889]] he printed another long and still more remarkable novel, ''Paa Guds veje'' (On God's Path), which is chiefly concerned with the same problems. The same year saw the publication of a comedy, ''Geografi og Kærlighed'' (Geography and Love), which met with success.
 
A number of short stories, of a more or less didactic character, dealing with startling points of emotional experience, were collected and published [[1894]]. Later plays were a political tragedy called ''Paul Lange og Tora Parsberg'' ([[1898]]), a second part of ''Over Ævne'' (Beyond Powers II) ([[1895]]), ''Laboremus'' ([[1901]]), ''På Storhove'' (At Storhove) ([[1902]]), and ''Daglannet'' (Dag's Farm) ([[1904]]). In [[1899]], at the opening of the National Theatre, Bjørnson received an ovation, and his saga-drama of [[Sigurd Jorsalfar (play)|Sigurd the Crusader]] was performed at the opening of [[Nationaltheatret]] in Oslo.
 
A subject which interested him greatly, and on which he occupied his indefatigable pen, was the question of the [[nynorsk|bondemaal]], the adopting of a national language for Norway distinct from the dansk-norsk (Dano-Norwegian), in which most Norwegian literature has hitherto been written. Bjørnson's strong and sometimes rather narrow [[patriotism]] did not blind him to what he considered the fatal folly of such a proposal, and his lectures and pamphlets against the ''målstræv'' in its extreme form were very effective. Bjørnson was, from the beginning of the [[Dreyfus Affair]] a staunch supporter of [[Alfred Dreyfus]], and, according to a contemporary, wrote "article after article in the papers and proclaimed in every manner his belief in his innocence".
 
Bjørnson was one of the original members of the [[Nobel Prize|Nobel]] Committee, and was re-elected in [[1900]]. In [[1903]] he was awarded the [[Nobel Prize in Literature]].
 
Bjørnson had done as much as any other man to rouse Norwegian national feeling, but in [[1903]], on the verge of the rupture between [[Norway]] and [[Sweden]], he preached conciliation and moderation to the Norwegians.
 
In 1905, as Norway was to decide its form of government totally independent, the previously staunch republican were convinced to promote monarchy, mainly because this meant stronger ties with [[United Kingdom|Britain]], Norway's most important trade partner and ally, but also because it would match the governments of [[Denmark]] and [[Sweden]].
 
He died on the [[April 26]], [[1910]] in [[Paris]], where for some years he had always spent his winters, and was buried at home with every mark of honour and regret, the Norwegian warship [[Norge]] was sent to convey his remains back to his own land.
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== Kasilpo ==
* [http://nobelprize.org/literature/laureates/1903/index.html Biografia ni Bjørnstjerne Bjørnson]