Bjørnstjerne Bjørnson: Paggiddiatan a nagbaetan dagiti rebision

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Ni '''Bjørnstjerne Martinus Bjørnson''' (Bearstar Martinus Bearson) ([[Deciembre 8]], [[1832]]–[[Abril 26]], [[1910]]) ket maysa a mannurat a Norwego. Idi 1903 naawatna iti [[Premio Nobel iti Literatura]].
 
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Bjørnson was born on [[December 8]], [[1832]] at the farmstead of Bjørgen in [[Kvikne]], a secluded village in the Østerdalen district, some sixty miles south of [[Trondheim]]. In [[1837]] Bjørnson's father, who was the pastor of Kvikne, was transferred to the parish of [[Nesset]], outside [[Molde]] in [[Romsdal]]. It was in this scenic district that Bjørnson spent his childhood. After a few years studying in the neighbouring city [[Molde]], Bjørnson was sent to Heltbergs Studentfabrikk in [[Oslo|Christiania]] to prepare for University, at the age of 17. He had realised that he wanted to pursue his talent for poetry (he had written verses since age eleven). Bjørnson matriculated at the University of Oslo in [[1852]], soon embarking upon a career as a journalist, focusing on criticism of drama.
 
In [[1857]] he published ''Synnøve Solbakken'', the first of Bjørnson's peasant novels; in [[1858]] this was followed by ''Arne'', in 1860 by ''En glad Gut'' (A Happy Boy), and in [[1868]] by ''Fiskerjenten'' (The Fisher Maiden). These are the most important specimens of his ''bonde-fortellinger'' or peasant tales &mdash; a section of his literary work which has made a profound impression in his own country, and has made him popular throughout the world. Two of the tales, ''Arne'' and ''Synnøve Solbakken'', offer perhaps finer examples of the pure peasant-story than are to be found elsewhere in literature.
 
Bjørnson was anxious "to create a new saga in the light of the peasant," as he put it, and he thought this should be done, not merely in prose fiction, but in national dramas or ''folke-stykker''. The earliest of these was a one-act piece the scene of which is laid in the 12th century, ''Mellem Slagene'' (Between the Battles), written in [[1855]], but not produced until [[1857]]. He was especially influenced at this time by the study of [[Jens Immanuel Baggesen|Baggesen]] and [[Adam Gottlob Oehlenschläger|Oehlenschläger]], during a visit to [[Copenhagen]] [[1856]]&mdash;[[1857]]. ''Mellem Slagene'' was followed by ''Halte-Hulda'' (Lame Hulda) in [[1858]], and ''Kong Sverre'' (King Sverre) in [[1861]]. All these efforts, however, were far excelled by the splendid trilogy of ''Sigurd Slembe'' (Sigurd the Bad), which Bjørnson published in [[1862]]. This raised him to the front rank among the younger poets of Europe.
 
At the close of [[1857]] Bjørnson had been appointed director of the theatre at [[Bergen, Norway|Bergen]], a post which he held, with much journalistic work, for two years, when he returned to the capital. From [[1860]] to [[1863]] he travelled widely throughout Europe. Early in [[1865]] he undertook the management of the Christiania theatre, and brought out his popular comedy of ''De Nygifte'' (The Newly Married) and his romantic tragedy of Mary Stuart in Scotland. Although Bjørnson has introduced into his novels and plays songs of extraordinary beauty, he was never a very copious writer of verse; in [[1870]] he published his Poems and Songs and the epic cycle called Arnljot Gelline; the latter volume contains the magnificent ode called ''Bergliot'', Bjørnson's finest contribution to lyrical poetry.
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[[Category: Biografia|Bjørnson, Bjørnstjerne]]
[[Category: Literatura|Bjørnson, Bjørnstjerne]]
[[Category: Mamannurat|Bjørnson, Bjørnstjerne]]
[[Category:Premio Nobel iti Literatura|Bjornson]]
 
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